I am an award-winning commercial and documentary film editor with over 15 years of experience working across New York and Los Angeles. I am currently represented by Uppercut Edit for commercial projects while continuing to collaborate independently on documentary films and series.

I have collaborated on brand campaigns with executive creative directors from leading agencies including Grey Worldwide, McCann, Publicis, Y&R, Mother, 72andSunny, Leo Burnett, Saatchi, Sid Lee, Arnold, and Campbell Ewald. My commercial work includes campaigns for brands such as Covergirl, L’Oréal, Clairol, Ulta Beauty, Amazon, New Balance, Alfa Romeo, Lincoln, Facebook, The North Face, Smirnoff, Sam Adams, Citi, Visa and GE. I have also edited projects for musical artists including Tom Petty, Phish, Pussy Riot, Leon Bridges, and ZAYN.

Notable long-form work includes editing the critically acclaimed Netflix documentary series Emergency: NYC and serving as polish editor on the feature documentary Sue Bird: In the Clutch, which premiered at Sundance in 2024. Most recently, I collaborated with director Cameron Crowe on Heartbreakers Beach Party, a documentary about Tom Petty and the Heartbreakers, now streaming on Paramount+.

Alongside my editorial work, I am actively expanding into AI-driven creative production, developing narrative films, commercial concepts, and emerging workflows that integrate generative AI into cinematic storytelling. This work builds on my background in post-production while exploring new models for visual creation, production, and branded content in an evolving media landscape.

See some of my ai work here