I am an award-winning commercial and documentary film editor with 14 years of experience in NY and LA. I am currently represented by Uppercut Edit for my commercial work while independently freelancing on documentary films and shows.
I have collaborated on brand campaigns with executive creative directors from top agencies such as Grey Worldwide, McCann, Publicis, Y&R, Mother, 72 and Sunny, Leo Burnett, Saatchi, Sid Lee, Arnold and Campbell Ewald among others. I have worked on campaigns for beauty and fashion brands like Covergirl, Loreal, Clariol, Ulta Beauty, and Amazon, as well as campaigns for brands such as New Balance, Alfa Romeo, Lincoln, Facebook, The North Face, Smirnoff, Volvo, Sam Adams, CitiBank, Chevy and GE to name a few. I have also edited projects for musical artists such as Tom Petty, Phish, Pussy Riot, Leon Bridges, and ZAYN.
My long form work includes co-editing the critically acclaimed Netflix documentary series “Emergency: NYC” as well as polishing the feature film “Sue Bird: In The Clutch”, chronicling the life and career of the WNBA phenom, which premiered at Sundance in 2024. Most recently I collaborated with director Cameron Crowe on a documentary film, “Heartbreakers Beach Party”, about Tom Petty and the Heartbreakers that can be streamed on Paramount Plus.
This past summer I wrote, directed (prompted), and edited my first AI-generated film, The Walk—an experimental narrative constructed entirely from AI-generated images, voices, and music. The project explores how continuity, scene blocking, timing, and storytelling can evolve through the lens of new AI filmmaking tools. The Walk has been an official selection at four film festivals to date.